Explorers of the Renaissance

Bartholomew Dais, the explorer for Portugal, planned to head an expedition in search of a sea route to India. Though, at the end of his voyage he only became the first sail to the tip of Africa. This, landing has only created a new name for the Cabot ads Galahs and the cape Cabot ads Torments for his country. Dais had a voyage that inspired explorers to try a faster or better route to travel, which lead to the discoveries of newer lands;also, this voyage helped encourage inventors and scientists to invent effective techniques and new technology that could help future expeditions.Magellan studied very famous explorers for many years in Portugal. He planed to find a route to the Spice Islands by sailing west and around the world. Ferdinand Magellan, an explorer of Spain, has amazed us with his courage by venturing through the chaotic and the untouched world. Through his voyage Magellan provided the first positive proof that the world was round, thus opening trade routes to explorers al l over the world. Ferdinand Magellan is recognized as the first person to circumnavigate the world.His discovery of this route had the effects in many ways; for example, the religion of Christianity has also traveled along his Journeys, and also his geographical finding has made the current map more accurate then it originally was. Jacques Carrier sailed in the name of France. Carrier searched to find a Northwest Passage to India and the Spice Islands and also looking for new places to trade. In the end Carrier was the first to sail up the SST. Lawrence River and Canada. Canada was claimed as a piece of France; furthermore, this opened up for trade with the natives.

Development of English Sonnet Essay

It is the Italian sonnet (or Petrarchan) which is the legitimate form, for it alone recognizes that peculiar unbalance of parts which is its salient characteristic. The English sonnet does something rather different with the form which is not quite as interesting or as subtle. English took Petrarchan sonnet, modified and elevated it to most celebrated and well-known form of poetry. Petrarchan sonnet was restricted to the idealization of women and illustration of the agonies of amorous affairs but English poets transformed it into a form capable of convey the subtle feelings, intricacies of mental processes, socio-economic concerns and the individual pathos and miseries. English sonneteers not only re-invented the form of sonnet but also revolutionized and rationalized its subject matter enabling it to include and articulate the subtle ideas and thoughts. The Italian sonnet has two parts – the Octave, a stanza of eight lines and the Sestet, a stanza of six lines, The Octave is composed of two rhymes that has the following scheme ; a b b a, a b b a. The, sestet has sometimes two rhymes, sometimes three, different from the rhymes of the Octave c d e, c d e, c d c, d c d, c d e, d c e. , The Octave may be divided into two quatrains, the sestet into two tercets. At the end of the Octave, i. e. , after the eighth lines, there is a conspicuous pause or Caesura (it is often manifested by a space) followed by a Volta or a turn in the thought. But it may be noted that in Italian sonnets this break of thought is not found as a rule. (Spiller, 1992, p. 3) Sonnet in England was pioneered by Sir Thomas Wyatt and Henry Howard in the first half of the 16th century, but they did not follow the Italian pattern of the sonnet and thought about a change in its form. It was Sir Thomas Wyatt who first initiated the Petrarchan sonnets and reinvented the art of sonnet (Spiller, 1992, p. 3) He founded the beauty of the form of a sonnet excellently suited as a vehicle for the expression of personal feeling, without taking recourse to allegory or fiction. And through sonnet, translated or imitated, lyricism with its music of feeling and passion flowed through poetry in England. Wyatt’s sonnets `The Long Love . . . and `Whoso List to Hunt` justifies the opinion. But this change was related to subject matter only. Thomas P. Roche says in this regard; â€Å"Petrarch poems of fourteen line and that the earliest examples in English by Wyatt and Surrey established the norm. Almost equally surely there can be no question that the word sonnet in the renaissance did not refer merely to fourteen-line norm. † (p. XI) With Wyatt discovered the rhythm and music of English sonnets-born out of a Petrarchan convention. Surrey particularly introduced a rhyme-scheme, different from the Italian model, for instance `The Soote Season`. Surrey substituted the less elaborate and easier form, eschewing the Italian form, which Wyatt had introduced-three quatrains with different rhymes followed by a couplet. His sonnets are divided into three quatrains (of four lines each followed by a rhyming couplet of two lines). Additionally, he totally changed the purpose of sonnets as he wrote elegiac sonnets as well. Surrey’s elegiac soonets on the death of Wyatt and of Thomas Clere are presumably the first elegiac sonnet in England. (John, 1938, p. 10) Shakespeare has followed the pattern of Surrey in his sonnets. Since he has made a splendid use of this form, it is known after him and not surrey, its real originator. The end of octave in English sonnet does not have any hiatus or twist of thought. It carries the though up to the concluding couplet, where poets wrap up pitching the subject matter of the sonnet at the highest level of his thought. Its rhyme scheme is a b a b, c d c d, e f e f, g g. In Shakespearean sonnet, the quatrains stand apart so far as the rhyming scheme is concerned, though in their subject matter they are linked together. Spenser evolved a new variety in that each of his quatrains was linked to the other by an intermixture of the rhymes in the following manner a b a b, b c b c, c d c d, e e. (Spiller, 1992) In addition to the form, the major development was the subject matter of the sonnet. Petrarchan sonnet was entirely based on the idealization of women but unlike it, English sonnet showed a consistent resistance to the glorification of women. â€Å"There was never ffile half so well field† by Wyatt and â€Å"When my love swears that she is made of truth† are example of this. Dasenbrock labels this as the â€Å"blame-style† of Wyatt and his subsequent sonneteers. As it has already been noted, the sonnet found its way to the Tudor court of England through Wyatt and Surrey. Although mid-Tudor miscellanies were very popular in those days but were unable to left its imprint on the form and/or subject matter of the poem. So there was no remarkable development in English sonnet from Wyatt and Surrey in 1830s and 1840s to the time of Spenser and Sidney in 1580 and 1590. This was due to the fact that there was no critical interest of the contemporary poet in the poetry of the time. This phenomenon is mourned by C. S Lewis as â€Å"the late medieval swamp†. (p. 25) Additionally, as far as the metre is concerned, Elizabethan poetic mindset was unable to accept anything else than pentameter. Other metric forms were considered insubstantial but C. S. Lewis considered this metric form in insufficient to comprehend â€Å"something fully human and adult†. (p. 139) Even then the point of the Italian form was not entirely grasped, for Wyatt’s sonnets all ended with a couplet, and Surrey, after some experimentation, used a pattern of alternately rhymed quatrains, which encouraged logical exposition right up to this final couplet and postponed the turn. However, Wyatt’s sonnets are rigid and awkward, whereas Surrey’s have great artistic merits. Sir Philip Sidney set the vogue of writing sonnet-sequences, In fact, after Wyatt and Surrey, the sonnet was neglected for a number of years. It was for Sidney to revitalize this form by composing one hundred and eight sonnets, all put in Astrophel and Stella, commemorating his fruitless love for Penelope Deveneux, the daughter of his patron, the Earl of Essex. Sidney wrote the sonnet not to satisfy the call of the age, but to express his heart-felt love-experience. Sidney’s sonnets reveal a true lyric emotion. On the one hand, there is in these sonnets much of the conventional material of the Italian sonneteers; but on the other hand there are touches so apt to the situation of a man who loves too late that one hesitates to ascribe them to mere dramatic skill. Sidney’s sonnets are not rich in Words in words only; in vague and unlocalised feelings they are full, material, and circumstantiated. They are struck full of amorous, fancies, far-fetched conceits, befitting his occupation. As a sonneteer Sidney is placed next only to Shakespeare and Spenser. Sidney’s sonnet-sequence known as Astrophel and Stella created a taste for the sonnet form. Many poets tried their hand at the form, mostly to express love for some imagined mistress. This accounts for the artificiality of most of the Elizabethan sonnets. No true passion was the motivation. Sonnets were written merely for the sake of literary fashion. However, Spenser’s Amoretti, a collection of about 88 sonnets, is marked with sincerity. In these sonnets Spenser ran be seen to express his genuine feelings without recourse to allegory. In the first ranks of the works of the English Renaissance, Spenser’s sonnets come between those of Sidney and Shakespeare from which they are different in forms as in sentiment. Spenser wrote Amoretti, a sequence of eighty-eight sonnets, addressed to Elizabeth Boyle whom he married in 1594. Spenser’s sonnets are unique for their purity. They tell a story of love without sin or remorse. There is the purity of tone in them and they show better than anything else the quality in Spenser which Coleridge named ‘Maidenliness†. The love embodied in these sonnets is not of the body, but it for the lady’s divine qualities. In this respect Spenser’s sonnets are distinguished from the sonnets of other Elizabethan sonneteers. They are also unique in form, though written in English style. They are written in three interlinked quatrains in alternative rhyme with the couplet standing alone, i. e. , a b a b, b c b c, c d c d, e e. His best sonnets include: ‘Like as a ship that through the ocean wide’; ‘Most glorious Lord of fife that on this day: ‘Fresh spring the herald of love’s mighty king’; ‘One day I write her name upon the strand’; and ‘Men call you fair, and you do credit it’. Shakespearean sonnets are periodically narrative unlike Sidney and Spenser due to its variety of thematic expressions. He takes into account the socio-economic disquiet about the poet’s abode to frequent worries for the posthumous standing of the poet. Shakespeare’s sonnets, 154 in number, form â€Å"the casket which encloses the most precious pearls of Elizabethan lyricism, some of them unsurpassed by any lyricist. † It is in these sonnets that Shakespeare unlocks his heart. Besides their sincerity of tone, they possess literary qualities of high order, for instance `When I consider every thing that grows` , `Not marble, nor the gilded . . . ` , `My mistress eyes . . . ` and `Whoever hath her wish . . . `. They touch perfection in their phraseology, in their perfect blending of sense and sound, in their versification. He is truly a marvelous sonneteer. However, the still sonnet had to wait till Milton in the post. Elizabethan period, for the English passion for sonneteering died out in the early 17th century. It was Milton who widened the scope of the sonnet which had hitherto been a vehicle to express only love and friendship. Milton uses the form to express his deeply felt emotions on contemporary politics, religion, public, figures, womanhood, and such personal subjects as his blindness. In the words of Henford, â€Å"These later English sonnets are the most immediately personal of all Milton’s utterances, representing emotional moments in his later life, experience which find no adequate expression in his prose-writing in the publication of which he was during these years primarily engaged. We may believe also that they were, like the Psalms, prompted in part by a conscious desire in Milton to exercise himself in verse in preparation for the epic poem which he still intended. † (p. 56) While following Petrarchan pattern, Milton made many stylistic changes in the form. His sentence structure is more complex and the rhythm is slowed down, the syntax tends to overflow the two main and two subsidiary divisions of the poem. Milton’s use of the new style in the Sonnets foreshadows the methods of his later blank verse, where we also find ‘the sense variously drawn out from one verse into another’. The technical changes he takes over from the Renaissance Italians make what is necessarily a short poem into one that seems weighty and sustained; pauses within the lines are added to those suggested by the rhymes, which are partly submerged by the flow of the sense. The sonnet thus becomes a single verse-paragraph flowing through a sound pattern made up of four divisions marked by the rhymes. Milton wrote in all, eighteen sonnets in English and two in Italian. These were composed over a period of twenty years when Milton was busy with political problems and affairs of the common wealth. They are in the nature of occasional outbursts of poetical enthusiasm and do not form a continuous series. Unlike some of the Elizabethan sonnet sequences Milton was never tempted by the idea of writing a sonnet series, nor was he attracted by the subject of love. In fact, he saved it from Cupid and Venus. The sonnets of Milton are simple but majestic records of the feelings of the poet himself. He enlarged the scope of the sonnet by expressing through it sentiments stirred by historical events. Some of his sonnets are personal and domestic. After Milton, the form sonnet fell on evil days for no writer tried his hand on this form seriously. Hardly any sonnet worth the name and recognition was written during the period of one hundred years. It was for Wordsworth to revitalize the form. He adopted the sonnet and used this form with great artistic skill and care. The sonnet was suited to Wordsworth’s poetic genius, because he could handle one thought at a time effectively and the sonnet was best suited to it. The sonnet with its freedom, of choice in theme and emotion, united to its exacting discipline, and to its need of a clear intellectual basis, was a predestined form for Wordsworth. Now Wordsworth adopted the Italian form and introduced some changes in its form and structure best suited to his moods. Sometimes he avoided the break, sometimes, he varied its position. He practiced many varieties of rhyming schemes. In fact, Wordsworth’s sonnets are marked with a greater variety than that in Milton’s. So above-mentioned discussion and supported evidence clearly suggest that English poets not only re-invented the Petrarchan sonnet but developed it to an elevated form of poetry. It remains no more a love-poem reflecting the diversity of thought and creativity of the English poets that made it substantial and sustained form to express and to contain the subtle and delicate thought. Works Cited Dasenbrock, Reed W.Wyatt’s transformation of Petrarch. Comparative Literature. 1988. 40. 122-123. Hanford. James H. John Milton Poet and Humanist: Essays. The Press of Western Reserve University. 1966. John , Lisle Cecil. The Elizabethan Sonnet Sequences: Studies in Conventional Conceits. Columbia University Press. 1938. Lewis. C. S. English Literature in the Sixteenth Century, Except Drama. Oxford: Clarendin Press. 1954. Roche, Thomas P. Petrarch and the English Sonnet Sequences. AMS Press. 1988 Spiller, Michael. The Development of the Sonnet: An Introduction. New York: Routledge. 1992

Chapter 3 techniques Assignment Example | Topics and Well Written Essays - 500 words

Creative Problem Solving Techniques - Assignment Example According to the research findings, it can, therefore, be said that careful evaluation of the performance of the students who were bullies showed that they scored poorly in classwork. We used this information to discourage other potential bullies as it leads to low grades and poor relations with the administration. We used the examples set by the best performers as obedient and disciplined students. The benchmarking was essential in comparing the best practices and behaviors of students with their performance. The students understood that best behaviors and discipline translates into better performance. The use of teachers and invited guest to speak to students about the effects of bullying helped in transforming the students’ perception of the vice. Looking for opportunities starts by reading and asking on new trends and the methods of realizing these opportunities. I believe that benchmarking is an essential approach to problem-solving in schools. Comparing the behavior of b est-performing students helps to send a message that discipline translates into success. The researcher is endeared towards solving the problem of bullying in school and brainstorming has provided me with an opportunity to find ideas. He consulted with fellow students on the means of ending the scourge that has affected performance. More so, many students feel that their safety and psychological being is threatened. The brainstorming session provides an avenue for students to air their views on the best approach to solving bullying. The author has learned through the process that it is critical to listen to the ideas as they provide means of solving the problems, although others are farfetched. One student suggested that the bullies should be expelled from the school. The ideas proposed are extreme and against the school regulations; however, the lesson learned is that we should listen to others so that we can envision opportunities. Identifying the problem of bullying required that the researcher explains the students the side effects such as an emotional breakdown, poor performance, disciplinary action, and disharmony.

Corporate Social Responsibility is Fundamental to Developing a Global Essay

Corporate Social Responsibility is Fundamental to Developing a Global Reputation - Essay Example The company can build sustainable operations by investing in corporate social responsibility. Therefore investing in corporate social responsibility is fundamental to developing a global reputation. This is demonstrated by multinational corporations such as Johnson & Johnson and Starbucks. They have invested in different programmes of corporate social responsibility and thus have been able to face the recent financial crisis more effectively than competitors. The objective of developing a global reputation cannot be attained unless the multinational corporation is able to offer products and services which promote social and environmental standards. By enforcing social and environmental standards, a multinational corporation invests in corporate social responsibility which leads to a global reputation. Introduction Globalization leads to increased international trade through the reduction of tariffs. Increased international trade creates global companies which can be defined as those companies which possess production/marketing operations in more than one country. One of the key success factors for global companies is corporate social responsibility, defined as taking into account the impacts of business operations on the society and the environment in addition to the traditional measurement of the company’s profits. This creates an operational framework in which global companies have to take local concerns into consideration. By conducting operations in a manner which takes into consideration their social and environmental impacts, a global company is able to build a good reputation globally. The objective of this paper is to explore how corporate social responsibility enables a multinational corporation to develop a global reputation. Analysis of key issues Globalization increases the volume of international trade by reducing the national barriers to trade such as tariffs and subsidies. This leads to the creation of a multinational corporation which can conduct production and marketing operations in more than one international market. An example of globalization is China’s entry into the World Trade Organization enabling western companies to set up operations in the fast growing Chinese economy. However the Chinese market is still regulated by the government and there is a considerable level of regional fragmentation in the government regulations. Therefore it is essential for foreign organizations to develop a good reputation in the Chinese market so as to create a good image in the local communities. This is one of the key success factors given the rising level of competitive rivalry as the Chinese market has been liberalized enabling foreign companies to set up their operations in the fast growing market. As a result companies need to develop programs of corporate social responsibility to develop a competitive advantage by developing a global reputation. Global companies can implement programs of corporate social respons ibility by taking into account the triple bottom line (McConnell & Brue, 2007). First the global company has to take into consideration the costs of managing people when it comes to transferring operations to a foreign market. This focus enables the management to conduct operations in a socially responsible manner so that employee satisfaction is maximized. Second, the company has to take into consideration the environmental costs of global operations. This means that the management takes into account the impact of its operations on the planet. Third, the company takes into account the traditional measurement of profits. Therefore the triple bottom line consists of people, planet and profit, also known as the three P’s. By conducting its global operations according to the triple bottom

McHam_Donatello's David & Judith_x Assignment Example | Topics and Well Written Essays - 1000 words

McHam_Donatello's David & Judith_x - Assignment Example the controversial message that the family’s role in Florence was the same as that of respected Old Testament autocrat slayers and saviors of the people that emblematically inverted the increasing accusations that the Medici had developed tyranny that took all the power from the republican institutions in the city (McHam 32). The sculptures were mainly used as focal points of the courtyard and the garden that were linked. David was raised on a high base at the middle of the courtyard and could be seen when the palace’s main entrance was open. The exact location of the Judith and Holofernes in the plot is not known as the orchard was immediately behind the quad, it may have been noticeable from the quad if it was located on the bloc between the orchard and the quad (McHam 32). The placement of the sculptures reveals that they could easily be viewed by the desired audience since the courtyard could be accessed by palace visitors and the garden could be accessed by an invited group. 2) What evidence does McHam provide that suggests Donatello’s earlier marble version of David was interpreted in political terms? How would the placement of the artist’s later version of David been understood? (p. 34) The inscriptions in the manuscripts which describe the Palazzo della Signoria validate the speculation that had earlier been unproven that they might have been added to the sculpture before 1416 before Danatello recut the figure to emphasize a political role for David as being the defender of Florence (McHam 34). This was done by baring his one of his legs and removing the scroll that had previously used to identify David as being a prophet. The placement of the bronze version of David in the courtyard can be understood as a self-conscious allusion to the previous marble analogue and the inscription it was associated with. It was also a sign that the Medici were closely associated to the regime and supported their principles. 3) According to the author, what was

ART Essay Example | Topics and Well Written Essays - 750 words - 2

ART - Essay Example he existing relationship between the two concepts is that both aim to achieve visual effects in a composition (Bartel 52).This paper will discuss the works of Leonardo da Vinci’s, The Last Supper 1498, Henri Matisse’s, the Red Room, early 20th century, Vincent van Gogh’s, Starry Nights late 1800s and finally Maya Lin’s Civil Rights Memorial, Atlanta 1989 in sub-sections while relating them to the elements and principles of design. When I closely take a look at the picture, the apostle’s faces are filled with curiosity and anxiety. Here, the element of intensity manifests itself as one analyzes their emotional expression. The artist highly displays comprehension of the apostle’s feelings. On the other hand I may view this element as a clue to the real emotions experienced by Leonardo, he might be challenging his emotions by masking them but in reality he manifests them in the apostles. Their figures are shifting to form three figure groups and in turn between them a space appears. The unity principle can be used to explain the close relationships forming among the apostles, whereas, the space indicates a new beginning in the Italian revolution. People will have different views and start breaking close bonds to unite with the appropriate friends. This tends to explain the principle of balance where the apostles are in search of a visual equilibrium or rather those they share common grounds with. ( Bartel 53). The air element inside the room might seem tensed but looking outside one sees a peaceful quiet environment. This in turn extinguishes some tension within the room as the air outside mixes with the air inside to create a balance. The use of shapes is also evident on this picture; Jesus Christ is at the center of the table in alignment with the rectangular walls, ceiling board and the windows depicting value and depth. His head is keenly centered vertically and horizontally. In terms of color, the left wall is fairly bright as compared to the right

Why traffic congestion is a classic example of the problem of Essay

Why traffic congestion is a classic example of the problem of externalities - Essay Example This research will begin with the statement that traffic congestion is the most significant problem in a large number of cities of the world. Traffic congestion is regarded as an example of consumption externality. It is reported by the experts that negative externalities do take place when consumption or production of a good or service by one person imposes a burden of cost on the other people. The result which is achieved from such a scenario does damage the environment. Traffic Congestion produces negative externalities. The present research has identified that various external costs are imposed upon by journeys through cars in the forms of air pollution, traffic congestion, noise pollution, change in climate and accident.   Peaking is responsible for creating traffic congestion. Suppose that a road network is already running at its full capacity. At this kind of situation, if an additional car joins the network, then it is quite evident that it would result in the fall of an av erage speed of all the cars in that road network that in turn would increase the time of journey for all.   Beyond the full road capacity, the cost that a journey through a private car has to bear gets increased due to congestion as it creates more delays in time as well as larger costs of fuel. If an individual takes the decision to drive his/her car at the time of going to work, the ability of the decision actually makes the same road a bit more crowded.... All the additional costs are taken into account, such as extra costs of fuel. Negative externalities are always considered by the economists as undesirable because they help in creating inefficiencies. It simply implies that people indulge in driving even if they should not do so from a societal perspective. For instance, if one estimates that all the benefits of going for a drive including more comfort and more flexible journey surpass the costs of driving in the form of fuel costs and costs of maintenance, then the person would choose driving through personal car as the best mean for going out to work. But, in this calculation, the person has surely neglected some vital component: the costs for longer period which the person would impose on other commuters inadvertently. Thus traffic congestion becomes a classic example of the problem of externality. (Litman, 2003; Lindsey, 2006) 2. Consider the ways in which private motorists will respond to road charges and comment on the private motorists' price elasticity of demand for road use. According to the theory of demand, an increase in price of a normal good/service will cause a fall in the quantity demanded for that good. This logic holds true for the road use by private cars as well. Imposition of road charges implies that costs of road use will increase for private motorists. Given the same benefits derived from going out with a private car, road charges cause the average costs to rise. It will simply result in a fall in the road use by private motorists. They would now prefer to go with a bus or travel in some other time when congestion is lower. Thus the private motorists respond to a road pricing either by reducing the same road usage at peak